Ken Yokoyama 將於 2027 年 6 月暫停樂團活動
Ken Yokoyama 將在明年 6 月 SATANIC CARNIVAL 2027 結束後暫停樂團活動,為目前長達 23 年的歷程按下休止符。
目錄
Ken Yokoyama 將在明年 6 月 SATANIC CARNIVAL 2027 結束後暫停樂團活動,為目前長達 23 年的歷程按下休止符。
Nine years after writing “pink elephant,” TORAUMA looks back on loneliness, Aomori, Okinawa, “Tsubaki” and the songs that sometimes need years to find their listeners.
尚無翻譯 — 要求的語言:繁體中文;顯示語言:English。
Oto Ginga began more than twelve years ago. Koji Tamaki and ASKA returned to the abandoned collaboration in 2026 and chose to start again.
尚無翻譯 — 要求的語言:繁體中文;顯示語言:English。
Thirty years ago, an album by a band invented for Swallowtail Butterfly reached number one in Japan—and gave YEN TOWN BAND a life outside the film.
尚無翻譯 — 要求的語言:繁體中文;顯示語言:English。
Two months after OTO MAYUMI and Flehmann released Watashi no Bara ni wa Toge ga Nai, their collaboration reveals what an independent music outlet can make possible.
尚無翻譯 — 要求的語言:繁體中文;顯示語言:English。
Released after Rio 2016 had ended, Arashi’s “Power of the Paradise” shows how Nippon TV could turn a pop song into the memory of a national event.
尚無翻譯 — 要求的語言:繁體中文;顯示語言:English。
From Seiko Matsuda and BOØWY to ambient, early rap and Dragon Quest, 50 albums that show how widely Japanese music moved in 1986.
尚無翻譯 — 要求的語言:繁體中文;顯示語言:English。
International listeners spent years discovering Haruomi Hosono through old records. Yours Sincerely lets them meet his music at the moment it is made.
尚無翻譯 — 要求的語言:繁體中文;顯示語言:English。
On September 10, 1966, the Blue Comets followed their Beatles welcome with twelve original songs. The foreign covers had disappeared.
尚無翻譯 — 要求的語言:繁體中文;顯示語言:English。
Masaharu Fukuyama surrounds Chōshinsei with 30 years of re-recorded, remixed and remastered songs. “The Latest Is the Greatest” is now a claim for listeners to test.
尚無翻譯 — 要求的語言:繁體中文;顯示語言:English。
Released on September 9, 1996 after missing its planned summer date, “Nagisa” reached number one for Spitz and kept travelling through commercials, broadcasts, covers and one battered VHS.
尚無翻譯 — 要求的語言:繁體中文;顯示語言:English。
The Beatles’ Budokan concerts came to symbolize Japan’s musical revolution in 1966. Yet several futures were already taking shape when they arrived in Tokyo.
尚無翻譯 — 要求的語言:繁體中文;顯示語言:English。