Saikō ka yo at 10: When HKT48 Wrote Fans In
Ten years ago, HKT48 built fan calls into “Saikō ka yo” and handed Hana Matsuoka her first center. The single became the group’s eighth consecutive number one.
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The song that launched Ichiro Araki turns 60
Ichiro Araki’s debut single turns 60. Three minutes, 600,000 copies and the beginning of one of Japanese music’s most elusive careers.
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100 Japanese singles that shaped the sound of 1996
From globe and Namie Amuro to Fishmans, LAMP EYE and enka, these 100 singles map the year Japan’s CD boom reached full force—and its musical future broke through.
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PSYENCE: hide refused to choose a genre
Released on September 2, 1996, PSYENCE moved from big-band brass to industrial rock, garage punk and pop without allowing any genre to define hide.
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Maki Ohguro reunites 55 BLACK and 55 RED
55 RED arrives today with 55 BLACK RETURNS. Maki Ohguro completes a two-album project conceived at 55 as her 35th-anniversary campaign begins.
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What Is J-POP? Why It Means More Than Japanese Pop
Rock, hip-hop, metal, idols or enka: why are so many different kinds of music gathered under J-POP — and why did J-POP streaming choose it over J-music?” focus_keyphrase: “What is J-POP?
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SCANDAL Will End Its Activities in 2027
SCANDAL will end its activities on August 21, 2027, after one final tour of Japan. The band has announced neither a breakup nor a hiatus. We look back at twenty years together.
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J-POP streaming is back. It never really left.
The website disappeared and the playlists stopped moving. The desire behind J-POP streaming did not. Here is why it went away, what changed and why it can now return.
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Night Hawks Interview: Burnout, Freedom and Rock
Shuichi Aoki and Chie Iwashita revisit Night Hawks’ difficult history, their unexpected return, the meaning of rock and the forty-year journey behind “Anmoku no Hibi.”
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Re:O: “We Make Music That Sounds Better Louder”
With “Ronin,” Re:O became a four-piece built on incompatible influences, impossible drum parts and a shared desire to push Rio Suyama’s songs somewhere heavier.
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Flehmann：每首歌都从一个声音开始
从二手合成器到“Save my love”，Flehmann谈重返音乐、从声音出发的创作方式，以及如何学会为不同的声音写歌。
OTO MAYUMI：从罗马唱出的日本摇滚
2024 年初，OTO MAYUMI 与 J-POP streaming 谈到 Good and Bad Shades、她对 1990 年代 J-rock 的喜爱，以及帮她找到理想声音的制作人。