Ken Yokoyama 将于 2027 年 6 月暂停乐队活动
Ken Yokoyama 将在明年 6 月 SATANIC CARNIVAL 2027 结束后暂停乐队活动，为目前长达 23 年的历程按下暂停键。
目录
文章
TORAUMA: “Music is the strength to live”
Nine years after writing “pink elephant,” TORAUMA looks back on loneliness, Aomori, Okinawa, “Tsubaki” and the songs that sometimes need years to find their listeners.
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Koji Tamaki & ASKA Return to Oto Ginga
Oto Ginga began more than twelve years ago. Koji Tamaki and ASKA returned to the abandoned collaboration in 2026 and chose to start again.
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YEN TOWN BAND’s MONTAGE: When Fiction Became Real
Thirty years ago, an album by a band invented for Swallowtail Butterfly reached number one in Japan—and gave YEN TOWN BAND a life outside the film.
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OTO MAYUMI × Flehmann: When Two Stories Meet
Two months after OTO MAYUMI and Flehmann released Watashi no Bara ni wa Toge ga Nai, their collaboration reveals what an independent music outlet can make possible.
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Arashi and the Sound of an Olympic Summer
Released after Rio 2016 had ended, Arashi’s “Power of the Paradise” shows how Nippon TV could turn a pop song into the memory of a national event.
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50 Japanese Albums That Defined 1986
From Seiko Matsuda and BOØWY to ambient, early rap and Dragon Quest, 50 albums that show how widely Japanese music moved in 1986.
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Yours Sincerely: Haruomi Hosono in Real Time
International listeners spent years discovering Haruomi Hosono through old records. Yours Sincerely lets them meet his music at the moment it is made.
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Blue Comets ’66: Twelve Songs of Their Own
On September 10, 1966, the Blue Comets followed their Beatles welcome with twelve original songs. The foreign covers had disappeared.
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Chōshinsei: Masaharu Fukuyama Puts His Past to the Test
Masaharu Fukuyama surrounds Chōshinsei with 30 years of re-recorded, remixed and remastered songs. “The Latest Is the Greatest” is now a claim for listeners to test.
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Nagisa: Spitz’s summer begins on September 9, 1996
Released on September 9, 1996 after missing its planned summer date, “Nagisa” reached number one for Spitz and kept travelling through commercials, broadcasts, covers and one battered VHS.
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1966: Did the Beatles Change Japanese Music?
The Beatles’ Budokan concerts came to symbolize Japan’s musical revolution in 1966. Yet several futures were already taking shape when they arrived in Tokyo.
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