AUTHOR
Reyep
Pierre「Reyep」RENAUD 是 J-POP streaming 的創辦人。二十五年來，他持續協助日本音樂走向日本以外的世界，從創立國際媒體網絡 JaME，到擔任 Japan Expo 的 Content and Guest Manager。如今，他跨越各種曲風與世代聆聽音樂，將新作品與塑造它們的藝人、場景與故事連結起來。
連結
文章
Saikō ka yo at 10: When HKT48 Wrote Fans In
Ten years ago, HKT48 built fan calls into “Saikō ka yo” and handed Hana Matsuoka her first center. The single became the group’s eighth consecutive number one.
尚無翻譯 — 要求的語言：繁體中文；顯示語言：English。
The song that launched Ichiro Araki turns 60
Ichiro Araki’s debut single turns 60. Three minutes, 600,000 copies and the beginning of one of Japanese music’s most elusive careers.
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100 Japanese singles that shaped the sound of 1996
From globe and Namie Amuro to Fishmans, LAMP EYE and enka, these 100 singles map the year Japan’s CD boom reached full force—and its musical future broke through.
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PSYENCE: hide refused to choose a genre
Released on September 2, 1996, PSYENCE moved from big-band brass to industrial rock, garage punk and pop without allowing any genre to define hide.
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Maki Ohguro reunites 55 BLACK and 55 RED
55 RED arrives today with 55 BLACK RETURNS. Maki Ohguro completes a two-album project conceived at 55 as her 35th-anniversary campaign begins.
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What Is J-POP? Why It Means More Than Japanese Pop
Rock, hip-hop, metal, idols or enka: why are so many different kinds of music gathered under J-POP — and why did J-POP streaming choose it over J-music?” focus_keyphrase: “What is J-POP?
尚無翻譯 — 要求的語言：繁體中文；顯示語言：English。
SCANDAL Will End Its Activities in 2027
SCANDAL will end its activities on August 21, 2027, after one final tour of Japan. The band has announced neither a breakup nor a hiatus. We look back at twenty years together.
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J-POP streaming is back. It never really left.
The website disappeared and the playlists stopped moving. The desire behind J-POP streaming did not. Here is why it went away, what changed and why it can now return.
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Night Hawks Interview: Burnout, Freedom and Rock
Shuichi Aoki and Chie Iwashita revisit Night Hawks’ difficult history, their unexpected return, the meaning of rock and the forty-year journey behind “Anmoku no Hibi.”
尚無翻譯 — 要求的語言：繁體中文；顯示語言：English。
Re:O: “We Make Music That Sounds Better Louder”
With “Ronin,” Re:O became a four-piece built on incompatible influences, impossible drum parts and a shared desire to push Rio Suyama’s songs somewhere heavier.
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Flehmann：每首歌都從一個聲音開始
從二手合成器到「Save my love」，Flehmann談重返音樂、從聲音出發的創作方式，以及如何學會為不同的聲音寫歌。
OTO MAYUMI：從羅馬唱出的日本搖滾
2024 年初，OTO MAYUMI 與 J-POP streaming 談到 Good and Bad Shades、她對 1990 年代 J-rock 的喜愛，以及幫她找到理想聲音的製作人。