AUTHOR
Si Pierre “Reyep” RENAUD ang tagapagtatag ng J-POP streaming. Sa loob ng mahigit 25 taon, tumulong siyang maiparating ang musikang Hapones sa mga tagapakinig sa labas ng Japan, mula sa pagtatatag ng internasyonal na media network na JaME hanggang sa kanyang tungkulin bilang Content and Guest Manager para sa Japan Expo. Ngayon, nakikinig siya sa musika mula sa iba’t ibang genre at henerasyon, at inuugnay ang mga bagong release sa mga artist, eksena, at kuwentong humubog sa mga ito.
Ihihinto muna ng Ken Yokoyama ang mga aktibidad ng banda pagkatapos ng SATANIC CARNIVAL 2027 sa susunod na Hunyo, matapos ang kasalukuyang 23 taong takbo nito.
Nine years after writing “pink elephant,” TORAUMA looks back on loneliness, Aomori, Okinawa, “Tsubaki” and the songs that sometimes need years to find their listeners.
Walang salin — hiniling na wika: Filipino; ipinapakitang wika: English.
Oto Ginga began more than twelve years ago. Koji Tamaki and ASKA returned to the abandoned collaboration in 2026 and chose to start again.
Walang salin — hiniling na wika: Filipino; ipinapakitang wika: English.
Thirty years ago, an album by a band invented for Swallowtail Butterfly reached number one in Japan—and gave YEN TOWN BAND a life outside the film.
Walang salin — hiniling na wika: Filipino; ipinapakitang wika: English.
Two months after OTO MAYUMI and Flehmann released Watashi no Bara ni wa Toge ga Nai, their collaboration reveals what an independent music outlet can make possible.
Walang salin — hiniling na wika: Filipino; ipinapakitang wika: English.
Released after Rio 2016 had ended, Arashi’s “Power of the Paradise” shows how Nippon TV could turn a pop song into the memory of a national event.
Walang salin — hiniling na wika: Filipino; ipinapakitang wika: English.
From Seiko Matsuda and BOØWY to ambient, early rap and Dragon Quest, 50 albums that show how widely Japanese music moved in 1986.
Walang salin — hiniling na wika: Filipino; ipinapakitang wika: English.
International listeners spent years discovering Haruomi Hosono through old records. Yours Sincerely lets them meet his music at the moment it is made.
Walang salin — hiniling na wika: Filipino; ipinapakitang wika: English.
On September 10, 1966, the Blue Comets followed their Beatles welcome with twelve original songs. The foreign covers had disappeared.
Walang salin — hiniling na wika: Filipino; ipinapakitang wika: English.
Masaharu Fukuyama surrounds Chōshinsei with 30 years of re-recorded, remixed and remastered songs. “The Latest Is the Greatest” is now a claim for listeners to test.
Walang salin — hiniling na wika: Filipino; ipinapakitang wika: English.
Released on September 9, 1996 after missing its planned summer date, “Nagisa” reached number one for Spitz and kept travelling through commercials, broadcasts, covers and one battered VHS.
Walang salin — hiniling na wika: Filipino; ipinapakitang wika: English.
The Beatles’ Budokan concerts came to symbolize Japan’s musical revolution in 1966. Yet several futures were already taking shape when they arrived in Tokyo.
Walang salin — hiniling na wika: Filipino; ipinapakitang wika: English.